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‘Matilda,’ Heretical to Some in Russia, Mostly Elicits Giggles

However, most Russians — and certainly those at the screening in Moscow on Tuesday — take little or no offense at a bit of nudity in a period costume drama.

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Michalina Olszanska in the role of Matilda Kshesinskaya, the ballerina who had an affair with Czar Nicholas II. She did not attend the premiere.

Credit
Rock Films LLC, via Associated Press

“The famous scene, in which Matilda Kshesinskaya exposes her breast right on the stage of the imperial theater, brought on not trembling but some quiet laughter,” wrote Gazeta.ru, a news website. “It shows, it seems, just how far contemporary Russia is from the epoch” of the czars.

And yet, in recent years, the government of President Vladimir V. Putin has all but enshrined conservative Orthodox Christianity as a state ideology and has deferred to the church on cultural matters, setting up a tug-of-war over the movie’s release.

The release of trailers earlier this year was enough to prompt arson attacks on a movie theater in Yekaterinburg and on two cars outside the Moscow office of a lawyer representing Aleksei Uchitel, the movie’s director. The German actor who played Nicholas II, Lars Eidinger, and the Polish actress playing Ms. Kshesinskaya, Michalina Olszanska, declined to attend the premiere in Russia out of concern for their safety.

At the screening on Tuesday, opponents stood with icons and portraits of Nicholas II, and some recited prayers. One woman held a sign saying, “Matilda slanders the anointed.”

One bearded protester tried to hand one of the film’s actors, Yevgeny Mironov, coins representing the 30 pieces of silver that Judas was paid to betray Jesus, Gazeta.ru reported.

The groups protesting included the Czar’s Cross and Forty Forties, the latter a reference to the prominence of religion and the abundance of church onion domes in medieval Moscow (there were said to be 1,600 of them, 40 times 40).

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Police officers detaining a protester with a portrait of Czar Nicholas II outside a screening of “Matilda” in Moscow on Tuesday.

Credit
Pavel Golovkin/Associated Press

At the showing on Monday in St. Petersburg, at the same Mariinsky Theater where much of the movie’s plot unfolded, two dozen or so Orthodox activists and monarchists stood outside holding posters saying, “Hands off the Russian Czar” and “The Czar Will Return and Put Things in Order.”

On the other side of this Russian cultural chasm, three young anticlerical activists also showed up holding a sign saying, “We Will Rescue You From Orthodox Terrorists.”

In fact, the authorities have taken a step to quell the protests by arresting the leader of a group that had threatened violence over the film, the Christian State, suggesting that in this instance pro-Orthodox activists had gone too far, even by Kremlin standards.

In Moscow, the attacks raised alarms in an artistic community fearful of a return of Soviet-style censorship, and prompted dozens of film directors to sign an open letter of protest.

Mr. Uchitel has said that the movie depicts an affair widely documented in archives and generally accepted by historians. The czar, Mr. Uchitel said, became a saint for his martyr’s death before a Bolshevik firing squad, not for how he lived his life.

The real-life Matilda had a thing for Romanovs. Ms. Kshesinskaya not only had the affair with the heir, but went on to date two of his cousins and eventually married one.

Nicholas II ended the affair when he married a fitting royal bride, a German princess, an act sometimes interpreted as choosing the throne over love. Whatever the case may be, historians say his haphazard ruling style helped lay the groundwork for the Communist revolution in the country exactly a century ago.

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